Cinema as a Structure of Perception

Art cinema: visual logic and the work of perception

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Cinema as Text

The Illusion of Power Over the Image

Poetics of Perception

The fragile outline of reality emerges not as a background, but as the body of the gaze — tense, trembling, contracting under the weight of presence. Space ceases to be a neutral stage — it breathes, distorts, and pulses in rhythm with the one who observes. Familiar coordinates dissolve; ties to the social, the mundane, the visible — vanish. Only form remains. Solitude here is not a tragedy, but a necessary condition. Beauty is not expressed in lines, style, or taste — it becomes a form of pain, exposed and motionless.

Decadence wears no mask. The plasticity of the present — bodily, angular, abrupt — reveals truth precisely in its rawness. Intimacy is a metaphor: a reflection in a distorted mirror, not a touch. Structure arises not through dialogue, but through silence. Not through plot, but rhythm. Not through explanation, but pause. The quieter the voice, the sharper the shape becomes.

Somnium

A chase, fear, and a blurred boundary between reality and dream

Liminum

The world vanishes the moment you look away

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